A comparison between Antoni Gaudi (1852 – 1926) / Barcelona / Spain – – Fa?ade of The Secret Family Temple with Poty Lazzarotto (1924-1998) Ctba-BR

“… Everyone can share in the impulse to create, although we are not all creative to the same degree” [. . . ] (Russell 21). And this is wonderful, because each human has a different conception and interpretation of reality. The fact that both artists have printed personality to these places must be considered not only as a manifestation of human extraordinary potentiality to create but also the necessity to have an encounter with beauty, and abstract its relative concept, by casually passing in front of public edification that immortalize the life of each town and the personality of the artists.

            However Gaudi and Poty had proper style, and very specific focus in terms of thematic performance, it cannot be ignored by the eyes of the planers of Curitiba, who could abstract from traditional towns in Europe, some very notorious concepts of urban concurrent planning accidentally and suitable introduced them in the town. As much as one sees, as much one can look! It’s up to anyone

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Boudieu, Pierre. A gênese dos conceitos de habitus e de campo In: O poder simbólico. Rio de 

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Durkheim, Emile. As regras do método sociológico. 4 ed. São Paulo : Companhia Editora

      Nacional, 1966, cap. I e II, p. 1-24.

Elias,  Norbert. O Processo Civilizador Rio: Uma História dos Costumes. Rio de Janeiro: Jorge Zahar

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Fernandes, Florestan. Fundamentos empíricos

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