A comparison between Antoni Gaudi (1852 – 1926) / Barcelona / Spain – – Fa?ade of The Secret Family Temple with Poty Lazzarotto (1924-1998) Ctba-BR

the best European new styles. As Marx (68) observed about Religious convictions mainly in Europe: “ [. . . ]  the critic of the last society, especially feudal with this one that had to fight against was close to critic that Christianity did about Paganism and Protestantism of Catholicism.

             As Gaudi mentioned: “… something is done so that we can avoid the undone, and work results can be seen only by continuous work combining reflection and action, the precursor requisites of creativity”. He was born in June 25th, 1852 in Tierra Baja, in Tarragona, Spain. His works are still being conserved and his methods of work and investigation are known. He was considered a very intelligent little boy, but always sick. His desire to do something in terms of architecture started with the excursions they had at the time he and his friends started getting involved with speeches of recovering of the architectonic patrimony of their town. Then, he graduates in Architecture in 1878, in Condal where his skills were recognized not only for calculation but also a great creativity. His project was oriented by Violler-le-Duc, Elies Rogent, where he demonstrates great interest in Technology, Materials, Arts, applied to construction, and old styles well known in the past. He had to give proof of his capacity so that Elies Rogent gave him the tittle of Architect affirming that he did it for a fool or a genius. Opportunities to prove his competence were given starting with La Casa Vicens, and finally became accepted by the society of Barcelona. Eusebi Guell (1846-1918) got impressed with the singularity of a wooden crystal iron piece and from that time on, Guell became one of his most important clients. The 80’s represent progress in

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