An approach to Frye?s statement ? romance-irony-parody

his Major Molineux, who he admitted, could not recognize, inhuman expulsion of the scapegoat as Hughes explains (868).

            In both stories, we see the heroes looking for someone. And when they are close to having their aims, ironically, something moves them far away from what they were looking for.

 

 

 

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             It’s like a turn taken of the expected romantic end, to show the readers, things are not as we desire them to be, but an answer for the circumstances of life, no matter how ironic it seems, “with the characteristic exaggeration of distinctive features of the original for certain purposes, which could be understood as parody” (Gioia G 23).

 

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Works Cited

               

Borroff, Marie. Sir Gawain and the Green Knight, (Norton, 1967).

            Campbell, Joseph. The power of Myth, with Bill Moyers. (Palas Athena, 1990).

Conrad, Joseph. Heart of Darkness (Photocopy with no reference, 79 pages).        

Gibaldi, Joseph. MLA Handbook for Writers of Research Papers, New York:

                     Modern Language Association, 1988.

Gioia, Dana.  Literature, (Longman, 2002).

Harold, Schechter & Jonna Semeiks, Eds. Discoveries: 50 Stories of the Quest, 2nd Ed.

            (Oxford, 1993).

Smith, Lyle E. Archetypal Criticism: Theory and Practice, Carson, CSUDH, USA, 1997.

 

 

 

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