Metaphysical Song
A fascinating and sensitive study of how philosophers have probed the problem of subjectivity through the passage of the operatic voice. Tomlinson”s work is notable for the way it combines a thorough knowledge of the history of music and opera with an understanding of contemporary problems of theory and methodology. –Lydia Goehr, Columbia University This extraordinary book offers us an ”alternative story” of the history of opera. . . . [It] will have an important . . . effect on the way we think about opera. –Roger Parker, Oxford University
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