Brent; portrait and publicity photography Carson, and Blumenthal, Lorraine, Haersiman, according to Lai, et al.
8. Abstract photography
Abstract photography after World War I there was a photography school of art.
Denial of the school’s photographer can look at the art of plastic art is to reflect the image of life, performance artists of the basic characteristics of aesthetic experience, claiming that photography should be “liberated from the photography inside.”
Initially, with no end magnify omitted to “Pi Sheti” The detail and rich texture fine tone, produced only the performance of the shape of the “light drawing.” Was developed to or use of light, or clip highlights, or half-way exposure, or shake the camera when shooting the image in the film to Pi Sheti the knot as vague, or multiple exposure to the heavy shadow, until images of the surface structure changes, changes the picture in the original object shape and spatial structure, trying to use the so-called form of fine tone (color) and the material of the “absolute abstract language”, so that was the object into a photo can tell why the objects of the lines, spots and shapes combination. To the performance of the bibles of the so-called artists to send the most real human beings, the most essential power of the subconscious world. In this work, photo objects are only created by the artist borrowed the performance of their own whim imagination and personality, “melody” of the notes.
Beginning of abstract photography are for the Taier Bo (1800-1877). Initially, the screen still works to maintain a certain degree of identifiable sex. To the 1917 photography Coban (1882 -?) And transparent glass with a wood shot, “Bordeaux Illustrated” had absolutely no