the parts taken by destruction of twenty-seven Hindu and Jaina temples”. Either due to paucity of time, convenience or deliberately, the plinth of the temple built by the Hindu kings were left intact created the illusion of a dominant mosque within the perimeters of a temple (of the defeated people). In an asymmetrical merger, the powerful illusion of an aggressive religion taking over an intense but non-aggressive religion was complete. This mosque remained the symbol of Islamic domination. This association was powerful and subsequent sultans also wanted to have a stake in its symbolism. It was expanded by Shams-ud-din Iltutmish and Alauddin Khilji.
Overall, Quwwat-ul-Islam mosque is reminiscent in style and design of the Arhai-din-ka Jhompra or Ajmer mosque at Ajmer, Rajasthan, also built by Aibak during the same time, also constructed by demolishing earlier temples and a Sanskrit school, at the site.
QUTUB MINAR:
In its finished state, the Minar is a symbol of architectural perfection and is known to have no parallel in the world. The foundation of Qutub Minar was laid in A.D. 1199. The tallest stone minaret in the world is clearly inspired by many other structures found in the Islamic world including the Minaret of Jam in Afghanistan. The Qutub Minar has five distinct storeys, each marked by a projecting balcony carried on muqarnas corbel. Qutub Minar went on to be one of the most important “Towers of Victory” in the Islamic world.
The construction of Qutub Minar seems to have begun at the same time as the mosque but its completion took far longer than the Mosque. While the story of the construction of the Quwwat-ul-Islam mosque spread far and wide, its visual impact was point- blank meaning