energies. Mostly I ask them to sniff it from the bottle or from their hands and it helps to ground them, but sometimes I spray it over them.
And of course I also use a mesa [a cloth altar laid out in a specific ritual way], although mine is much simpler than many others. In Peru, shamans work with many different layouts of mesa, but when you have your own you learn to use it in a way that suits you. It is a living thing so you develop a relationship with it. San Pedro teaches you how to use it too.
The objects at the centre of my mesa are shells and stones which have meaning and power for me. I arrange them in a straight line, like a spinal column with the stones as the vertebrae. This follows the notion in Peru that spiritual energy is held in the small of the back and as we advance on our paths and the plants guide us it begins to rise up the spine to the head, where it resides when we become fully conscious.
In the Andes we have three sacred animals: the serpent, puma, and condor, and you will sometimes see statues of all three, one on top of the other. The serpent represents the divine energy we hold in our backs; the puma is the body; and the condor is the awakened self: the mind that soars above the world. So these statues are also a representation of energy flowing through us and bringing us into new consciousness. The mesa I use is like that.
Some shamans use chonta [wooden staffs sometimes used to beat participants to move their spiritual energies around] and swords on their mesas as well; as protections and to change the energies of patients and heal them. I don’t, because I have always known that San Pedro protects me and my participants anyway, and that there is no