Kenyon offered Cifelli two books. The first in the Dark-Hunter series and the one her agent had left her over. Cifelli declined the paranormal idea because there was no market for those story lines. But she asked to see the historical. Kenyon borrowed money from a neighbor to send that manuscript to New York and Cifelli offered Kenyon a three book contract. . Since the historical was very different from the paranormals and science fiction novels of her early career, Cifelli asked if Kenyon would mind using a pseudonym. Kenyon who was now superstitious over her real name since her initial foray had been so short-lived, chose Kinley MacGregor (the irony here is that even though the MacGregor name appeared on all the bestseller lists first, it would be under the Kenyon name that she would gain her greatest accolades). The MacGregor part pays tribute to Kenyon’s Scottish ancestry and to her family who, there for a time, was forbidden to use their real names because of their conflict with a rival clan. The name seemed more than fitting for her to use to rebuild her career.
Even as Kenyon submitted her Kinley MacGregor manuscripts, she continued to work on her vampire stories. At the urging of her editor, she contracted with a new agent in late 1998. Even though that agent had never represented paranormal before and was reluctant to do so because there was no market for that style of novel, Kenyon convinced her to submit them. The Dark-Hunter novels were turned down by every house. Some even more than once. But by that summer the agent found a home for them at St. Martin’s Press when Jennifer Enderlin bought them. It was almost ten years to the day from the time Kenyon had submitted the first Dark-Hunter novel to the day one was contracted.