The Metaphysical View of Death and Life After Death Part 3

The Ancient Egyptians, Tibetans, Christians, Muslims and many others all have and had their judgment scenes in their theological concepts. This is ingrained in the eschatology of religion and has, as a matter of fact, a basis of truth which we shall see later as we consider the bardos. It will suffice here to describe certain aspects of the Judgment scene.

The Judgment scene of almost every religion consists of a judge, a weigher of the scales, a scribe, and of course, the soul being judged. To Ancient Egyptians, Osiris was the judge of the soul, Anubis the weigher of the scales, while Thoth was the scribe. The human soul was often depicted as hawk-headed. In Zoroastrianism, Mithras or sometimes Zoroaster sits on the judgment seat, with Rashnu acting as weigher and Sraosha as recorder. Tibetans called their magistrate Dharmaraja and their scribe Shinje–the monkey-headed one. Christians believe that Jesus would be the one to judge the “quick and the dead,” with angelic personnel acting as his amanuensis.

In the Judgment scene, as conceived by the ancient Egyptians, the Ab, or heart of the soul is weighed against Maat, or Truth, symbolised by a feather. The deceased makes a long confession, affirming his or her goodly works. The negative works of the soul goes unstated and unproclaimed–the soul hoping that its past sinful deeds are overlooked and not revealed. But then comes the weighing of the scales, where the statements of the soul are gauged of its truth. When found not to measure up to its honesty, the soul is led to hell to be tormented by Typhon, who is one of the presiding demons; otherwise, it is shown the way to paradise. The Judgment scene of all religions follows more or less along similar lines.

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