The Metaphysical View of Death and Life After Death Part 8
In the Chonyid one has to exercise Vairagya and Viveka, or detachment and discrimination–detachment as to what is seen, and discrimination as to what is real and unreal in the unfolding panorama. One has to overcome one’s attraction to the images of beauty in this first Chonyid stage as well as to overcome one’s repulsion to wrathful and awesome images in the following Chonyid phase. One has to embrace every appearance as a reflection of one’s own pure primordial nature. Forms should be seen as illusory, their inner essence, however, should be realized as the essence of Reality. Tsele Rangorol explains it in this way:
“The key point in the Bardo of dharmata is simply to rest in awareness, no matter what happens, and to be able to embrace everything with the mindfulness of awareness-wisdom, without losing the continuity of that awareness.” (1993:7)
Aside from psychic images that one perceives in the Chonyid, one may also see coloured-lights, either bright and dazzling or dull. The bright coloured-lights originate from the five “Dhyani Buddhas” of the spiritual planes, whereas the dull coloured-lights emanate from the 6 lower realms of becoming. Like the psychic images that one may see in the Chonyid, the coloured-lights are also a manifestation of one’s mind. Their appearance may continue all the way through Sidpa bardo. In the following we list the realms with their associated coloured-lights together with the Dhyani Buddhas and their corresponding colour rays:
[Note: The table may be seen as originally published at our website]
Generally speaking, one has to distance oneself and not be attracted to the dull lights as they lead one to a rebirth in a lower