Euterpe , Melpomene , Polyhymnia , Terpsichore, Thalia, , and Urania. The Muses had several epithets which usually referred to places where they had settled.” 01He also sites two musical examples: “Orpheus (he has swayed wild beasts with this art, but to have moved rocks and forests with the modulation of his song… (62)) has descent into the underworld to revive Eurydice and, from Polynesian mythology, the vine by which Hiku climbs down into the undersea world to rescue his wife, Hawelu”(60).
A relevant point is the fact that “the central issues of the mythos of music were already conventionalized by the beginning of the Christian era, crystallizing around the legend of Orpheus, which remains the single most explicit theme. Virgil mentions Orpheus in the fourth book of his Georgics. But there are more references to Orpheus’ rebirth like the one in Kathi Meyer-Baer who splited his figure in early Christian iconography. Clement of Alexandria also interprets Christ as a new Orpheus in a strikingly beautiful theology that has been conspicuously ignored by the Church in Rome (63). Dionysus is also an important myth (He plays aulos) (80). He was reported in a passage about Midas, “where Pan and Apollo compete, being judged by Tmolus.” 03 But Apollo was also adopted and included in the list of roman gods, because there were relations with Delphi. This god was known as the god of cure, but he became the god of oracles and prophecy, in accordance with Virgil (Harvey 45).
Cunha 04
There are references in musical iconography, like Pythagoras (playing bells to the sound of hammers), David (with his harp) and Krishna (flute)”(64). Good references for the costumes in Greece