mutates into a gradually accented piece with multiple instruments (including an unlisted violin), ending with two loud, accented notes. In live performances, Oldfield would reach incredible tempos and “Sailor’s Hornpipe” alone became a staple of his concerts in the 1970s and 1980s. The recording sessions
Part one was recorded in just one week at The Manor Studio, owned by the founder of Virgin Records, Richard Branson. Oldfield used this studio immediately after John Cale’s sessions and just before the Bonzo Dog Doo-Dah Band began recording.
Oldfield’s working title for Tubular Bells was Opus One; Richard Branson thought to call it Breakfast in Bed. One of the possible album covers for Breakfast in Bed included a boiled egg with blood pouring out of it. This cover was edited and used as the artwork for Oldfield’s final album with Virgin, Heaven’s Open.
Mike Oldfield had been performing “The Sailor’s Hornpipe” for years before including it on Tubular Bells, when he was the bass player with Kevin Ayers and The Whole World.
The only electric guitar to be used on the album was a 1966 blonde Fender Telecaster (serial no. 180728) which used to belong to Marc Bolan. Oldfield had added an extra Bill Lawrence pickup and has since sold the guitar and donated the money to the SANE charity.
According to Oldfield the “Piltdown Man” shouting sequence came about when he had practically finished recording the instruments for the section, but felt that it needed something else. The whiskey-fueled idea to create the “Piltdown Man” effect was to shout and scream into a microphone while running the tape at a higher speed. Upon playback the tape ran at normal speed, thus dropping the pitch of the voice track.
The album was recorded on an Ampex 2″ 16 track tape
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