or impressive wall map to delineate the extent of their influence or the depth of their ambitions. Medieval and Renaissance governments and their commissioned discoverers kept maps as secret weapons to rile foes or foil rivals. Democratic societies distributed maps to their populations as a symbol of freedom while totalitarian regimes made maps, and the potential such documents gave for travel, off-limits to all but a few in the ruling echelons.
As an Artform
Vintage Map of Greece
Published in 1688 in Amsterdam. , originally printed on three sheets. Includes illustration of lion with enslaved human figures shown in embellished title cartouche. Views of fortified towns in outer margins.
Fortunately, maps have other uses beyond their function as travel aids. When maps first appeared on the walls of the powerful or in the atlases of the wealthy, the eye-catching beauty of the design and the power of the ability of paper and ink to evoke emotion were immediately apparent. Color, line, structure and even the calligraphy of maps could transcend the purpose for which they were originally intended. The tool became an art form unto itself. A map’s practical use could be made obsolete by war, politics or cataclysm, but the beauty of the design and quality of production gave a well-executed map an eternal appeal.
Evolution of Cartography
The first maps to be engraved, colored and printed for non-field use were produced for the most part as artworks, not as practical tools for navigators, engineers or armies on the march. In these display maps, the functional part of the chart